ranging from four to nine metres in length that is draped over the body in various styles. The most common style is for the sari to be wrapped around the waist, with one end then draped over the shoulder baring the midriff. The sari is usually worn over a petticoat (pavada/pavadai in the south, and shaya in eastern India), with a blouse known as a choli or ravika forming the upper garment. The choli has short sleeves and a low neck and is usually cropped, and as such is particularly well-suited for wear in the sultry South Asian summers. Cholis may be "backless" or of a halter neck style. These are usually more dressy with a lot of embellishments such as mirrors or embroidery and may be worn on special occasions. Women in the armed forces, when wearing a sari uniform, don a half-sleeve shirt tucked in at the waist. The saree was born in both South and North India and is now a symbol for all of India.
Kanchipuram is a town in Tamil Nadu with more than 150 years of weaving tradition – completely untouched 
by fashion fads. Ranges of gorgeous kanjeevaram sarees come from Tamil Nadu. Saris represent the essence of womanhood. The kanjeevaram sarees had a fine cotton ‘ground’ with silk and zari border and pallu. Their patterns display a predominance of bird and animal motifs and the rich gold-brocaded pallus and borders had patterns of rows of deer, peacocks, galloping horses, bulls, elephants, parrots, swans and such other birds in stylized abstraction.
by fashion fads. Ranges of gorgeous kanjeevaram sarees come from Tamil Nadu. Saris represent the essence of womanhood. The kanjeevaram sarees had a fine cotton ‘ground’ with silk and zari border and pallu. Their patterns display a predominance of bird and animal motifs and the rich gold-brocaded pallus and borders had patterns of rows of deer, peacocks, galloping horses, bulls, elephants, parrots, swans and such other birds in stylized abstraction. Kanjivaram silk represents the best of the Indian textiles’ heritage. Its unmatched craftsmanship, the beauty and grandeur of the gold thread work, quaint motifs and association with ceremonial occasions have been glorified since time immemorial. While there are loyalists for every variety, one saree that holds a spellbinding appeal for every Indian woman — transcending age, religion and regional affiliation — is the Kanjeevaram. India gives best exclusive collection of kanjeevarams, kanjivaram silk sarees, zari kanjeevarams, pure silk and real zari kanjeewaram sarees for bridals, weddings and marriage.
Bandhani : These are sarees created by dyeing the cloth in such a manner that 
many small resist-dyed ‘spots’ produce elaborate patterns over the fabric. - The traditional bandhani market has shrunk however, because of the rise of low-cost silk-screened imitations and most modern bandhani sarees are made with larger designs and fewer ties than in the past. There are varieties available in two contrasting colours, with borders, end-pieces and one or more large central medallion called a pomcha or padma (lotus flower). Red and black is the most common colour combination but other pairs of colours are also found. For instance, the panetar saree is a Gujarati-Hindu saree of satin weave and Gajji silk with red borders, central medallions and a white body, which may contain regularly spaced red tie-dyed spots. - Single colour sarees and odhnis with white spots are also common. The most famous of this type is the Gujarati saree called Garchola It is usually red, but occasionally green, and is divided into a network of squares created by rows of white tie-dyed spots or woven bands of zari. The Garchola is a traditional Hindu and Jain wedding saree, which used to be made of cotton, but is now usually in silk. The number of squares in the saree is ritually significant multiples of 9, 12 or 52.
many small resist-dyed ‘spots’ produce elaborate patterns over the fabric. - The traditional bandhani market has shrunk however, because of the rise of low-cost silk-screened imitations and most modern bandhani sarees are made with larger designs and fewer ties than in the past. There are varieties available in two contrasting colours, with borders, end-pieces and one or more large central medallion called a pomcha or padma (lotus flower). Red and black is the most common colour combination but other pairs of colours are also found. For instance, the panetar saree is a Gujarati-Hindu saree of satin weave and Gajji silk with red borders, central medallions and a white body, which may contain regularly spaced red tie-dyed spots. - Single colour sarees and odhnis with white spots are also common. The most famous of this type is the Gujarati saree called Garchola It is usually red, but occasionally green, and is divided into a network of squares created by rows of white tie-dyed spots or woven bands of zari. The Garchola is a traditional Hindu and Jain wedding saree, which used to be made of cotton, but is now usually in silk. The number of squares in the saree is ritually significant multiples of 9, 12 or 52. 
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